14K WHITE GOLD EARRINGS

14K WHITE GOLD EARRINGS - WEBER ONE TOUCH GOLD 22.5 - GOLD ROSARY NECKLACES.

CHEAP GOLD BAND - GOLD BAND


CHEAP GOLD BAND - GOLD BUYER REVIEWS.



Cheap Gold Band





cheap gold band














cheap gold band - His &




His & Her's 8MM/6MM Tungsten Carbide Classic Gold Wedding Band Ring Set (Available Sizes 4-14 Including Half Sizes)


His & Her's 8MM/6MM Tungsten Carbide Classic Gold Wedding Band Ring Set (Available Sizes 4-14 Including Half Sizes)



**CONTACT US WITH RING SIZES AFTER PURCHASE**
6mm bands are available in sizes 4-11 including half sizes. 8mm bands are available in sizes 7-14 including half sizes.
Our Classic gold wedding ring has the perfect brightly polished gold finish, using only the finest quality 14k gold plating, permanently bonded to our tungsten carbide. It is so very elegant in its simplicity, with its highly polished domed design and rounded edges. Truly an enduring piece. It features classic rounded edges and a comfort fit design.
Tungsten is one of the hardest metals on the planet. It's durability is absolutely unmatched in the jewelry industry. Tungsten is 10 times harder than 18K gold, 5 times harder than tool steel and 4 times harder than titanium. It measures between an 8 and 9 on the Mohs scale, with diamonds being the highest at a 10. Tungsten has been used for decades in industrial applications where only the strongest and hardest metal will suffice. The incredible strength and timeless beauty of our tungsten rings will have you cherishing them for a lifetime.
All of our rings are manufactured with tungsten carbide using nickel as a binding agent. Many companies choose to use cobalt as a binder because it is slightly cheaper. While either element will work just fine, cobalt has a higher tendency to have adverse reactions with some people's skin. This is why we use nickel. Although in some extremely rare cases a customer will discover he or she has an allergy to nickel, our rings are generally considered to be hypo-allergenic.










89% (12)





A '73 Les Paul Deluxe cavity




A '73 Les Paul Deluxe cavity





Here's the inside of an untouched virgin '73. The guts of mine will be restored like so...but a bit neater!

Note that the banded or 'outside foil' end of the cap goes to the volume pot. This has been true on other Deluxes I have examined, although common knowledge says the direction doesn't matter (they're not polarized or directional). However, it's elsewhere usual to connect the outside foil end to ground...in this case the Tone pot. So does it matter or not? Would the outside foil shield or a lowered impedance to ground have any effect?

Not knowing for certain, I re-installed my caps in the same direction as these...since it's the direction apparently used most often on this model year as far as I can see.

My re-installation will also follow the exact same Gibson wiring scheme, the standard method often called Modern Wiring and one that has been used exclusively on all Les Pauls for over 50 years. Some people try a variant of this called '50s Wiring that Gibson hasn't used since...well, the '50s. For a reason: '50s wiring causes the Volume and Tone controls to interact in a less desirable way. Modern Wiring's controls function more intuitively. (The very term '50s Wiring causes some to think it means vintage, and anything called vintage must therefore be better). Modern Wiring means better performance, too: You can't get Modern Wiring sounds from '50s Wiring, but you can get '50s Wiring sounds from Modern Wiring. This doesn't prevent some from rewiring their Les Pauls to hear angels sing and the breeze through the trees. Just say no.

In this passive circuit, the potentiometers' audio (also called logarithmic, or log) taper allows the Volume rolloff to behave more usefully (versus using a linear pot like an amp's Volume knob), with coarser control at the top end. The only non-intuitive aspect of this wiring scheme is that, when both pickups are On, either Volume becomes a master volume (rather than truly blending the outputs as might be expected). Independent volume control wiring, however, is noise-inducing and, again, less desirable.

Why do Les Pauls use audio taper pots for Tone controls? Other than tradition, it's probably not the best choice. In practice, a linear taper pot would provide a smoother and more predictable rolloff of treble. With an audio-tapered Tone pot, the transition from bright to mellow is not a gradually smooth one. Nevertheless, for whatever reason, all four pots are typically audio taper, and players become accustomed to the way they respond.

Gibson used all four 500K audio taper pots until mid-'73. Under Norlin they switched to four 300K until '77 or so. Then from '77 until the late '80s they used 100K tone pots (!). In '90 or so they started using 300K linear taper (!) pots for Volume and 500K audio taper for Tone. And that's what they use today -- except most Historic and Custom Shop models, for which they use all four 500K audio tapers once again (and on some dropped the cheap ceramic caps for foil as before, too). It's difficult to confirm the exact when where and what of all this. But it's something to consider if you think your Les Paul should sound better or your controls don't act right.

Why 500K potentiometers? Because for relatively high-output humbucking and single-coil pickups, 500K of resistance produces an ideal range of sound. A 1 Meg pot passes a less compressed but un-musical amount of gain and treble; 300K or 250K as commonly used for smaller single-coils is too compressed and bleeds off too much treble.

Why are these 400 VDC rated capacitors? Likely because it's what Gibson also used on the amps they used to make; easier to buy and stock them all the same. Any rating of around say 100 volts or higher would function just the same, although higher voltages (usually) means bigger size. Why .022 microfarad? Because it's a good match for a single-turn pot in terms of producing a usable range of treble control. Using a different value, such as .015 or .033, has no effect on tone or brightness: It only affects the amount of treble rolloff as the Tone knob is turned down. When the Tone pot is full on, the capacitor has no effect on the sound at all.












Hey hey I wanna be a rockstar




Hey hey I wanna be a rockstar





I'm through with standing in line
To clubs we'll never get in
It's like the bottom of the ninth
And I'm never gonna win
This life hasn't turned out
Quite the way I want it to be

(Tell me what you want)

I want a brand new house
On an episode of Cribs
And a bathroom I can play baseball in
And a king size tub big enough
For ten plus me

(So tell me what you need)

I'll need a credit card that's got no limit
And a big black jet with a bedroom in it
Gonna join the mile high club
At thirty-seven thousand feet

(Been there, done that)

I want a new tour bus full of old guitars
My own star on Hollywood Boulevard
Somewhere between Cher and
James Dean is fine for me

(So how you gonna do it?)

I'm gonna trade this life for fortune and fame
I'd even cut my hair and change my name

Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
In the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blond hair

Hey hey I wanna be a rockstar
Hey hey I wanna be a rockstar

I wanna be great like Elvis without the tassels
Hire eight body guards that love to beat up assholes
Sign a couple autographs
So I can eat my meals for free
(I'll have the quesadilla, Ah Ha!!)
I'm gonna dress my ass
With the latest fashion
Get a front door key to the Playboy mansion
Gonna date a centerfold that loves to
Blow my money for me
(So how you gonna do it?)
I'm gonna trade this life for fortune and fame
I'd even cut my hair and change my name

'Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
In the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blond hair

And we'll hide out in the private rooms
With the latest dictionary and today's who's who
They'll get you anything with that evil smile
Everybody's got a drug dealer on speed dial

Hey hey I wanna be a rockstar

I'm gonna sing those songs
That offend the censors
Gonna pop my pills from a pez dispenser

I'll get washed-up singers writing all my songs
Lip sync em every night so I don't get 'em wrong

'Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
In the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blond hair

And we'll hide out in the private rooms
With the latest dictionary and today's who's who
They'll get you anything with that evil smile
Everybody's got a drug dealer on speed dial

Hey hey I wanna be a rockstar
Hey hey I wanna be a rockstar

(Rockstar - Nickelback)









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